Oscar nominations in...

The 2011 Academy Award nominees were revealed today, a week after I made my own predictions. I'm happy to say that I was mostly right in my guesses, though not entirely. I got 9/10 Best Picture nominations correct, but was wrong when I said 'Monsters' might be in with a shot. I went so far as to list a number of alternate picks that I thought might be included if one from my list were not. But even among all of those I never saw the nomination for 'Winter's Bone' coming. It shouldn't have been too big a surprise though, as the film was met with overwhelmingly strong reviews and touted as an awards contender when it was released last year. I guess the fact that I didn't personally like it all that much forced it out of my mind.

I fared less well in the other categories. I got 3/5 Best Actor nominees, as I thought Ryan Gosling ('Blue Valentine') and Mark Wahlberg ('The Fighter') were certainties. But rather it was last year's victor Jeff Bridges ('True Grit') and previous winner Javier Bardem ('Biutiful') who got the nod. I got 4/5 Best Actress picks right, with my only mistake being to include Julianne Moore ('The Kids Are All Right') over Nicole Kidman ('Rabbit Hole').



I was close with my predictions for Best Director. Though my pick of 'The Kids Are All Right' director Lisa Cholodenko over Joel and Ethan Coen ('True Grit') was a mistake - though not an unhappy one. In the supporting categories I got 6/10 right - but as I said before, those categories are probably the hardest main awards to call. Anyone can get nominated for almost anything. Case in point, Australian film 'Animal Kingdom' gets its sole major nod in the Best Supporting Actress category with Jacki Weaver listed. The young star of 'True Grit' Hailee Steinfeld was also a surprise inclusion. Best Supporting Actor seemed like it might be less problematic, but I also got two of those names wrong. Michael Douglas didn't get his widely expected nod for 'Wall Street: Money Never Sleeps', but Jeremy Renner ('The Town') and John Hawkes ('Winter's Bone') were included.

I've posted the main categories below (as stolen from Deadline). I've emboldened those who I think will win on the night:

BEST PICTURE
127 HOURS (Fox Searchlight)
An Hours Production Christian Colson, Danny Boyle and John Smithson, Producers
BLACK SWAN (Fox Searchlight)
A Protozoa and Phoenix Pictures Production Mike Medavoy, Brian Oliver and Scott Franklin, Producers
INCEPTION (Warner Bros)
A Warner Bros. UK Services Production Emma Thomas and Christopher Nolan, Producers
THE FIGHTER (Paramount)
A Relativity Media Production David Hoberman, Todd Lieberman and Mark Wahlberg, Producers
THE KIDS ARE ALL RIGHT (Focus Features)
An Antidote Films, Mandalay Vision and Gilbert Films Production Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray, Producers
THE KING'S SPEECH (The Weinstein Co)
A See-Saw Films and Bedlam Production Iain Canning, Emile Sherman and Gareth Unwin, Producers
THE SOCIAL NETWORK (Sony Pictures)
A Columbia Pictures Production Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin, Producers
TOY STORY 3 (Walt Disney)
A Pixar Production Darla K. Anderson, Producer
TRUE GRIT (Paramount)
A Paramount Pictures Production Scott Rudin, Ethan Coen and Joel Coen, Producers
WINTER'S BONE (Roadside Attractions)
A Winter's Bone Production Anne Rosellini and Alix Madigan-Yorkin, Producers

BEST ACTOR
JEFF BRIDGES - TRUE GRIT (Paramount)
JAVIER BARDEM - BIUTIFUL (Roadside Attractions)
JESSE EISENBERG - THE SOCIAL NETWORK (Sony Pictures)
COLIN FIRTH - THE KING’S SPEECH (The Weinstein Company)
JAMES FRANCO - 127 HOURS (Fox Searchlight)

BEST ACTRESS
ANNETTE BENING - THE KIDS ARE ALL RIGHT (Focus Features)
NICOLE KIDMAN - RABBIT HOLE (Lionsgate)
JENNIFER LAWRENCE - WINTER’S BONE (Roadside Attractions)
NATALIE PORTMAN - BLACK SWAN (Fox Searchlight)
MICHELLE WILLIAMS - BLUE VALENTINE (The Weinstein Co) -though never write off the lobbying power of the Weinstein's!

BEST ACTOR IN A SUPPORTING ROLE
CHRISTIAN BALE - THE FIGHTER (Paramount)
JOHN HAWKES - WINTER’S BONE (Roadside Attractions)
JEREMY RENNER - THE TOWN (Warner Bros)
MARK RUFFALO - THE KIDS ARE ALL RIGHT (Focus Features)
GEOFFREY RUSH - THE KING’S SPEECH (The Weinstein Company)

BEST ACTRESS IN A SUPPORTING ROLE
AMY ADAMS - THE FIGHTER (Paramount)
HELENA BONHAM CARTER - THE KING’S SPEECH (The Weinstein Company)
MELISSA LEO - THE FIGHTER (Paramount) -he's the favourite, but I'm backing Adams at the third attempt
HAILEE STEINFELD - TRUE GRIT (Paramount)
JACKI WEAVER - ANIMAL KINGDOM (Sony Pictures Classics)

BEST ANIMATED PICTURE
HOW TO TRAIN YOUR DRAGON (DreamWorks Animation)
TOY STORY 3 (Walt Disney)
THE ILLUSIONIST (Sony Pictures Classics)

BEST DIRECTOR
DARREN ARONOFSKY - BLACK SWAN (Fox Searchlight)
DAVID FINCHER - THE SOCIAL NETWORK (Sony Pictures)
TOM HOOPER - THE KING'S SPEECH (The Weinstein Co.)
JOEL AND ETHAN COEN - TRUE GRIT (Paramount)
DAVID O. RUSSELL - THE FIGHTER (Paramount)

BEST ORIGINAL SCREENPLAY
ANOTHER YEAR, Mike Leigh (Sony Pictures Classics)
THE FIGHTER, Scott Silver and Paul Tamasy & Eric Johnson, Story by Keith Dorrington & Paul Tamasy & Eric Johnson (Paramount)
INCEPTION, Christopher Nolan (Warner Bros)
THE KIDS ARE ALL RIGHT, Lisa Cholodenko & Stuart Blumberg (Focus Features)
THE KING'S SPEECH, David Seidler (The Weinstein Co)

BEST ADAPTED SCREENPLAY
127 HOURS, Danny Boyle & Simon Beaufoy (Fox Searchlight)
TOY STORY 3, Michael Arndt, Story by John Lasseter, Andrew Stanton, and Lee Unkrich (Walt Disney)
THE SOCIAL NETWORK, Aaron Sorkin (Sony Pictures)
WINTER'S BONE, Debra Granik & Anne Rosellini (Roadside Attractions)
TRUE GRIT, Joel Coen & Ethan Coen (Paramount)

BEST FOREIGN LANGUAGE FILM
Algeria, Hors la Loi (Outside the Law) (Cohen Media Group) - A Tassili Films Production
Canada, Incendies (Sony Pictures Classics) - A Micro-Scope Production
Denmark, In a Better World (Sony Pictures Classics) - A Zentropa Production
Greece, Dogtooth (Kino International) - A Boo Production - I want this to win!
Mexico, Biutiful (Roadside Attractions) - A Menage Atroz, Mod Producciones and Ikiru Films Production

BEST ACHIEVEMENT IN CINEMATOGRAPHY
Black Swan (Fox Searchlight) - Matthew Libatique
Inception (Warner Bros.) - Wally Pfister
The King's Speech (The Weinstein Company) - Danny Cohen
The Social Network (Sony Pictures Releasing) - Jeff Cronenweth
True Grit (Paramount) - Roger Deakins

BEST DOCUMENTARY FEATURE
Exit Through The Gift Shop (Producers Distribution Agency) A Paranoid Pictures Production Banksy and Jaimie D'Cruz
Gasland - A Gasland Production Josh Fox and Trish Adlesic
Inside Job (Sony Pictures Classics) - A Representational Pictures Production Charles Ferguson and Audrey Marrs
Restrepo (National Geographic Entertainment) - An Outpost Films Production Tim Hetherington and Sebastian Junger
Waste Land (Arthouse Films) - An Almega Projects Production Lucy Walker and Angus Aynsley

Oscar prediction time 2011...

First things first: regular visitors might have noticed that I was unusually quiet last week. This was down to a mixture of the birth of my new baby brother James, a period of horrible flu-ness and general work at the cinema. I have now completed reviews that I started last week before illness temporarily shelved them and they can now be found below this post or on the "reviews" page. Yesterday I also posted a review of the 'Certified Copy' Blu-ray over on Obsessed with Film. So now that I'm back up and running, I thought I'd comment on the award season as it comes into full swing.

As I'm sure most film fans are aware, from all the Ricky Gervais furore and Colin Firth's mighty, flag-flying Best Actor triumph, the Golden Globes (that's the budget Oscars to you and me) were held yesterday in LA. The full results (at least for the film half of it) can be found on the Splendor Cinema blog so I won't bother to re-post them here. Today also saw the nominations for the BAFTAs announced, which you can read here. What I want to instead is look forward to the real deal: the Academy Awards, which are taking place at the end of next month (February 27th). The nominees are announced a week today (Tuesday 25th), so now seems like as good a time as any for rampant speculation.



Best Picture
For the main prize I'd have to say that obvious favoured candidates, 'Black Swan', 'The Social Network', 'The Fighter' and 'The King's Speech', will be joined by fancied outsiders 'Toy Story 3', 'Inception', 'The Kids Are All Right', as well as the now annual nomination for the Coen Brothers with 'True Grit' a likely contender. The final two films in the field of ten are harder to call. I'd guess that Clint Eastwood's 'Hereafter' could miss out after getting "mixed reviews" and failing to perform at the box office. Instead maybe Danny Boyle's '127 Hours' could sneak in, perhaps alongside Gareth Edwards' roundly-praised 'Monsters' (as this year's 'District 9')?

I'm not hedging my bets. Those previous ten are my picks. But if those aren't the chosen ones, then who knows? Maybe the Tilda Swinton vanity project 'I Am Love' could emerge as the token foreign language contender for the award? Or maybe even Alejandro González Iñárritu's 'Biutiful'? I'd also not discount 'Wall Street: Money Never Sleeps' as a possibility. Or the brilliant 'Blue Valentine', with the Weinsteins always keen to push their films for awards glory.

As for the winner, it'd be foolish not to expect the triumphant winner of the Golden Globe 'The Social Network' to win. However, the Globe hasn't often predicted the correct Oscar winner in recent years and last year saw 'Avatar' the strong Oscar favourite all the way through award season until a last minute surge for 'The Hurt Locker'. If it doesn't win for some reason, then I'd like to see 'Black Swan' do it instead.



Best Director
David Fincher won the globe and I believe he'll win the Oscar for 'The Social Network'. The director nominations will be drawn from the five most serious contenders for the main prize. In this case that would make the four "losers" Darren Aronofsky ('Black Swan'), David O. Russell ('The Fighter'), Tom Hooper ('The King's Speech') and Lisa Cholodenko ('The Kids Are All Right').



Best Actor
This category will be won by Colin Firth, last year's most popular loser after his performance in 'A Single Man' is generally liked and has been roundly heralded for his performance as a stuttering George VI in 'The King's Speech'. The makeweights in this field will likely be Jesse Eisenberg for 'The Social Network', James Franco for '127 Hours', Mark Wahlberg for 'The Fighter' and Ryan Gosling for 'Blue Valentine'. Personally, I'd like to see the Golden Globe "Best Performance in a Musical or Comedy" winner Paul Giamatti win the Oscar for 'Barney's Version', but that won't happen. He won't even be nominated. Out of the likely nominees, my pick would be James Franco. I disliked '127 Hours' but he was class in it. He is co-hosting the event with Anne Hathway, so it would be fun to see him win.



Best Actress
How long before this award is renamed "Best Female Actor"? I haven't heard the term actress self-applied in years, so it seems like only a matter of time. This is one of the hardest fields to call in the whole competition. It seems certain that Jennifer Lawrence ('Winter's Bone'), Natalie Portman ('Black Swan') and Michelle Williams ('Blue Valentine') will be nominated, with Portman the probable winner (and my personal favourite). However I'm not so confident about the other two names. Halle Berry ('Frankie and Alice') and Nicole Kidman ('Rabbit Hole') are among the favourites having been nominated at the Globes, but I think Julianne Moore and Annette Bening will both be nominated for 'The Kids Are All Right' - recalling Vera Farmiga and Anna Kendrick who were both nominated last year for 'Up in the Air'.



Best Supporting Actor
Another hard field to call. In fact, the "supporting" categories are always hard to predict because they can throw up literally any name and are especially prone to votes based on nostalgia or sympathy (Heath Ledger last year, or Pete Postlethwaite at this year's BAFTAs). On that basis Michael Douglas seems a likely nomination for 'Wall Street: Money Never Sleeps' due to his recent battle with throat cancer. Besides, he won an Oscar for the same role in 1987, playing Gordon Gekko in the original 'Wall Street', so it's not that far fetched an honour. Christian Bale will likely win the category for his role in 'The Fighter'. A certainty for at least a nomination is Geoffrey Rush for 'The King's Speech'. The remaining two names could be Andrew Garfield for 'The Social Network' and Mark Ruffalo for 'The Kids Are All Right'. If I had my way Ruffalo would win that one, though I haven't yet seen Bale in 'The Fighter'.



Best Supporting Actress
Golden Globe winner (and a Best Actress nominee last year for 'Frozen River') Melissa Leo will be nominated for her role in 'The Fighter'. As will Amy Adams, who has twice been nominated for this award in the past, for roles in 'Junebug' and 'Doubt'. Mila Kunis seems like a safe bet for 'Black Swan', as does Helena Bonham Carter, who will likely complete a trilogy of acting nominations for 'The King's Speech'. The final nomination is hard to predict. Jacki Weaver was nominated for the Golden Globe for 'Animal Kingdom', whilst the BAFTAs have 'Lesley Manville' up for 'Another Year' and Barbara Hershey for 'Black Swan' (and Miranda Richardson for 'Made in Dagenham', but I'm not going to entertain that as a serious Oscar choice). I'm going to take a stab in the dark here and suggest that Mia Wasikowska could be an outside contender for 'The Kids Are All Right' - a film I've nominated in most of the categories, but which could be left out altogether. Certainly the film's initial Oscar buzz has died down since its release. I think Amy Adams will win the statue itself. Third time lucky.



The Rest
'Toy Story 3' will win the animated film award without too much trouble. 'Inception' will pick up some of the boring effects and technical gongs, whilst 'The King's Speech' will win some sort of costume award for being a stiff, British period drama (then again 'Black Swan' could very well beat them to that one with its ballet costumes). The Best Adapted Screenplay award will go to Aaron Sorkin for 'The Social Network', whilst Best Original Screenplay may go to 'The Kids Are All Right' writers Lisa Cholodenko and Stuart Blumberg. The Best Score award is a two way battle between Hans Zimmer for 'Inception' and Trent Reznor/Atticus Ross for 'The Social Network'. I have a feeling Zimmer will win this one even though Reznor scooped the Globe. The foreign language winner is impossible to predict on any year. Last time around 'A Prophet' and 'The White Ribbon' picked up every prize en route to the Oscars only for Argentine film 'The Secret in Their Eyes' to come from nowhere and win it. I honestly couldn't even guess. 'Biutiful' maybe? Who cares.

So, those are my picks for the 2011 Academy Award nominations. I'll no doubt write a follow-up to this when the real nominations come in on the 25th.

'Toy Story 3' review: Pixar falling short of greatness...

Pixar have created a big problem for themselves. Their last two features, 'Wall-E' and 'Up', have been universally heralded as masterpieces and sit comfortably alongside the greatest animated films ever made. Of course, the studio was already well ahead of its American competitors before that - at least artistically. Films such as 'Ratatouille', 'The Incredibles', 'Finding Nemo' and the original 'Toy Story' are easily up there with the work of international masters, such as Miyazaki ('Spirited Away'), Ocelot ('Kirikou and the Sorceress') or Chomet ('Belleville Rende-vouz').

After a filmography that only really boasts one dud (the 2006 film 'Cars'), the California based animation studio have set the bar remarkably, even dauntingly, high and, with 'Cars 2' on the way and now operating under full Disney ownership, the honeymoon period could be set to end for the team that pioneered the now-dominant CGI animation art form. It is with this concern in mind that I went to see the latest entrant into the Pixar canon: 'Toy Story 3'. But does it live up to, or even surpass, the lightness of touch, the wit and the sophistication of last year's 'Up'?

In a word: no.



This is not to say that 'Toy Story 3' is not charming and funny. It is. There are plenty of endearing new characters (notably "Mr. Pricklepants" voiced by Timothy Dalton) and it is fun seeing Woody, Buzz and the gang again. But whereas the question at Pixar has always seemed to be "where can we go next?" - with them constantly pushing at boundaries (both technical and narrative) - this sequel feels as though it has been inspired by accountants and people eager to sell a few more Buzz Lightyear figures this Christmas.

Well, maybe that's a little harsh. There are some good new ideas in the film, which sees the toys being donated to a nursery. The animation of the toddlers is amazing, with the animators doing a terrific job of capturing their movements. In this respect, the film is as detailed and lovingly put together as anything they have produced. Michael Keaton is fun as Ken - the male counterpart to Barbie - as is Ned Beatty as "Lots-O'-Huggin' Bear". The gags are perhaps broader than usual, with lots of in-jokes (a Totoro toy is prominently featured), film references ('Cool Hand Luke' is explicitly quoted) and sight gags, but 'Toy Story 3' on the whole stays true to the Pixar tradition of dealing with genuinely adult themes, such as loss, death and even mid-life crisis. And it must be said that the opening sequence, which takes us into a childs imagination as he plays with the toys, is brilliant.



But whilst Jessie the cowgirl's story in 'Toy Story 2' was genuinely quite moving, helped in no small way by a splendid Randy Newman song ("When She Loved Me"), the tearjerker moments in this sequel feel forced and contrived. 'Up' reduced all except the most hard-hearted to floods of tears in its opening moments and justly received plaudits for doing so in such an elegant way, and it feels almost as though this feat has gone to Pixar's (collective) head. One wonders what great sorrow will befall Lightning McQueen next year. Maybe his tyres will deflate to the strains of a string quartet or his lady-car will take a tumble off a cliff and explode. Whatever they do it won't work: because I don't care about a talking car and, it turns out, care only a fraction more for Mr and Mrs Potato Head et al. The prolonged curtain call that ends the film feels similarly manipulative and calculated as the action which proceeds it.

Far be it from me to go on a Kermodeian rant about 3D, but I have to say that the novelty (and it is a novelty) is really starting to wear off now. I have enjoyed a few 3D titles over the last year and have been impressed by the way that the most recent films have used the technology to create depth rather then to make stuff pop out of the screen. But I am no longer impressed because I have now been there and seen it already. I saw 'Avatar' and now I'm over it. Now all I am noticing is the increased admission price (over £20 for my girlfriend and I) and the splitting headache upon leaving the cinema. The 3D is tastefully implemented in 'Toy Story 3', but you gain precisely nothing from seeing it this way.



If I sound unenthusiastic about 'Toy Story 3' it is only because of Pixar's own exceptionally high standards. Without doubt it is fun film and - along with 'Inception' - it is the must-see blockbuster movie of this summer. But am I wrong to expect a little bit more from Pixar? However much of a good time 'Toy Story 3' is, it doesn't hold a candle to any of their previous three films. Personally, I enjoyed Disney's return to hand-drawn animation, 'The Princess and the Frog', quite a bit more. And with sequels to 'Cars' and 'Monsters Inc.' in the pipeline, could Pixar's golden age be behind them? Or do they have another 'Up' in them? I hope for the latter, but on this evidence there is some cause for concern.

'Toy Story 3' is rated 'U' by BBFC and can be seen almost everywhere in 3D and 2D versions.

'Giant Sand' tonight at the Duke's, plus moving house delays me seeing 'Toy Story 3'...

Aside from the being the oldest functioning cinema in the land, Brighton's Duke of York's Picturehouse also occasionally serves as a music venue. In the past year artists such as Duck Baker and 'Angus and Julia Stone' have taken the stage and tonight it is the turn of Arizona rock band 'Giant Sand'.

I have never seen them (or heard of them), but I am planning to go along tonight and check them out all the same... and you should too!

Anyway, not strictly film related, but I am moving house this week and so probably won't be updating very much at all. This is a shame as there are few films I look forward to more than those by Pixar and I would very much like to see and review 'Toy Story 3' this week. I'll see what happens. Failing that it will be reviewed next week at the latest! I can't wait. I have been a little sceptical since seeing an underwhelming clip at a Disney conference back in April. But almost everyone who has seen it seems to have loved it, so far, so I'm sure it will be good even if it isn't as great as 'Up' and 'Wall-E'.

Finally, I recorded the August edition of 'Flick's Flicks' yesterday with the smashing James Tucker. In it I previewed the August line-up coming to Picturehouse cinemas, including 'The Illusionist' (below), South Korean drama: 'Mother', 'The Girl Who Played With Fire' and 'Scott Pilgrim vs. the World'. Check it out when it is online at the start of next month.

Reasons to be cheerful - part 1

I haven't seen any new films since 'Alice in Wonderland' last week (though I may have to go and see 'Shutter Island' today), so I haven't really had anything to write here for since last Wednesday. So, to rectify this, I'll do what I always do when I have nothing to write about... I'll post up some trailers. So here are some trailers for upcoming films to look forward to this year, in no particular order:

Wall Street: Money Never Sleeps: I'm not a huge Oliver Stone fan; however I am always interested in him as a chronicler of modern American history. Over his career he has made movies about American wars, presidents and sporting events, which (however flawed) will probably stand the test of time. He made ‘World Trade Center’ just five years after the tragedy, and made ‘W’ whilst George Bush was still in office. ‘Wall Street 2’ is doing the same thing with the recent (current?) economic crisis and, with Carey Mulligan in a supporting role, should be interesting at the very least. This trailer seems to focus on the family drama, but one hopes the film will be a little more about Wall Street.


Inception: I am a big Christopher Nolan fan, so this one is a no-brainer for me. I can't wait to see this movie. I have next to no idea what the hell is happening in this trailer, but I'm sure it's going to be good ('Memento', 'The Prestige' and 'The Dark Knight' weren't bad, afterall).


Tron Legacy: I love how faithful this film looks to be to the 1982 original,which simultaneously advanced computer effects whilst setting them back, due to its dissapointing box office. I can't wait to see Jeff Bridges return as Flynn (with CG work done to make him look like he did in the original!).


Toy Story 3: Another obvious one. I haven't seen a bad Pixar film yet, so I have complete faith in 'Toy Story 3', even though it is the first in the series not to be directed by John Lassester. I'm sure it's in good hands... even if this trailer suggests the humour maybe a little broader this time around.


Cemetery Junction: I still haven't seen Ricky Gervais directoral debut 'The Invention of Lying', which had quite average reviews. However, I am really keen on his second feature from what I've seen. I especially like that Ricky Gervais has seemingly (from the looks of the trailer) cast a lead who understands how to deliver his dialogue in the same way he would himself (much like Woody Allen has done in the past).


Greenberg: I'm not too sure about this from the trailer, but I am a huge fan of Noah Baumbach's 'The Squid and the Whale'. So I remain optimistic about 'Greenberg'.


Four Lions: One of my all-time heroes, Chris Morris (TVs 'BrassEye', 'The Day Today', and ‘Nathan Barley') has followed his frequent collaborator Armando Iannucci (who directed last year’s brilliant ‘In the Loop’) into cinemas, with this satirical comedy about British wannabe suicide bombers. I really, honestly, can’t wait. A friend of mine saw it at Sundance and liked it, so I expect it to live up to my (huge) expectations.


And finally... The Expendables: This looks stupid and will probably be politically offensive in about fifteen million different ways, but it also looks like a lot of 80s-esque action fun. I expect it to be a quotable load of tosh, and from the looks of this trailer it won't disappoint.


I am also looking forward to a number of films which don't seem to have trailers yet, so I'll give a few "shout outs" here: The Coen Brothers have a re-make of the classic Western 'True Grit' coming out this Christmas, staring Jeff Bridges in the role that won John Wayne an Oscar back in 1969. 'Let Me In' maybe interesting: it is the (inevitable) American re-make of the Swedish vampire film, 'Let the Right One In'. It could surprise people. Who knows? 'The Social Network' is also coming out this year. It is directed by David Fincher (who I don't really like) and written by Aaron Sorkin (whose TV work I like, but whose film work always stinks) and is about the founders of Facebook (which sounds like a stupid idea), but I am interested in it against my better judgement.

I'm sure the films which eventually feature on my top ten at the end of this year are ones which are unknown to me at the time of writing. A lot of the best films take you by surprise. But this lot will entertain me for sure.

Also, if you haven't already checked it out, there has been a new edition of the Splendor Cinema/Duke of Yorks podcast up since last week. Jon and I are joined by a special guest to analyse last weekend's Oscar results. Enjoy!