Hosted my first film quiz at the Dukes at Komedia tonight - though I'm struggling with flu and was probably not terribly easy to understand in the packed upstairs bar (we had to turn people away!). I think it went well. Anyway, I just wanted to post the amazing art work my friend Joe Blann did for us. The above poster and the below picture round (best picture round ever, no contest). Enjoy!
Showing posts with label Picturehouse. Show all posts
Showing posts with label Picturehouse. Show all posts
Thursday, 7 February 2013
Wednesday, 28 November 2012
Keanu Reeves Interview: Neo himself talks about documentary project 'Side By Side'
Quick post to say an interview I did with Keanu Reeves and director Christopher Kenneally is now online, on the website of Brighton's Cinecity Film Festival. The star-studded documentary, based around the current debate about whether or not filmmaking should go digital or stay rooted in photo-chemical processes, sees Reeves interview top people including directors (too many to mention, but dozens of BIG names), cinematographers, actors, producers and beyond. It's so good that I saw it twice in Berlin earlier this year, which is where I caught up with Mr. Reeves.
Anyway, if you live in or around Brighton you can see 'Side By Side' for yourself this weekend as part of Cinecity. It's playing at 15.30 (3.30pm) at the Duke of York's Picturehouse and you can book tickets here.
My review of the film is up here.
Friday, 9 December 2011
'Romantics Anonymous' review:
A very slight and shamelessly frothy romantic comedy from French writer-director Jean-Pierre Améris, 'Romantics Anonymous' is a genuinely heart-warming proposition. It sees two highly strung, middle-aged chocolatiers, who use confectionery as a substitute for relationships, meet after Angélique (Isabelle Carré) goes to work at the near-bankrupt company of Jean-René (Benoît Poelvoorde).
Both have extreme social anxiety issues and live lives of quiet regret instead of facing up to their fears. Angélique can't bear to the focus of any attention - and gets tongue tied in conversation - which leads her to hide her superior chocolate making skills from her employer, acting instead as an incredibly meek sales rep. Meanwhile, Jean-René comes across as mean when he is really just deathly afraid of human contact and has no idea how to talk to women.

The title comes from the fact that Angélique belongs to a sort of Alcoholic Anonymous style support group for those with emotional problems, whilst Jean-René is often seen consulting his therapist. These scenes, whilst funny, provide insight into the characters, showing that (though the word is never used) they are autistic rather than just a couple of quirky oddballs. Both lead characters are expertly observed.
It runs for a satisfying 80 minutes and consistently generates gentle, affectionate laughs. Free of cynicism, it's set in a profoundly humane world where people aren't afraid to burst into spontaneous song and where the audience is encouraged to laugh along with the characters rather than at them. The third act isn't encumbered by the usual misunderstanding or childish argument and, as a result, it never outstays its welcome. It won't take a particularly shrewd viewer to predict exactly where this is all headed, but you won't begrudge these two outsiders their deliriously happy ending.
'Romantics Anonymous' is out now in the UK and rated '12A' by the BBFC.
Labels:
French Cinema,
Picturehouse,
Review,
Rom-Com,
Romantics Anonymous,
Trailers
Wednesday, 2 March 2011
Beames returns to March's Flick's Flicks...
Due to illness and injury I have again hosted an episode of Flick's Flicks. I don't mock TV presenters any more. Put me on The One Show and I'd be total rubbish.
Thursday, 24 February 2011
Picturehouse Blog posts...
Apologies for the lack of updates since Berlin. I've haven't been resting on my laurels though. Here is a round-up of the non-competition films from the festival that I wrote today for the Picturehouse Blog. If you look at the entry before that one, you'll see another, even longer, round-up of the competition films.
Other than that I've had a job interview, which is potentially amazing, whilst I'm also preparing to again guest host Flick's Flicks tomorrow morning due to illness. I'm also on my usual slot on Radio Reverb tomorrow (9.15am) if anyone fancies tuning in.
I still intend to finish my review of 'True Grit', which I started writing at Berlin airport, but there haven't been enough hours in the day...
Other than that I've had a job interview, which is potentially amazing, whilst I'm also preparing to again guest host Flick's Flicks tomorrow morning due to illness. I'm also on my usual slot on Radio Reverb tomorrow (9.15am) if anyone fancies tuning in.
I still intend to finish my review of 'True Grit', which I started writing at Berlin airport, but there haven't been enough hours in the day...
Labels:
Berlin Festival,
Festivals,
Flick's Flicks,
Picturehouse,
Radio Reverb
Thursday, 6 January 2011
Calling all martial arts film fans PLUS Jurassic Park!!!
Back in Venice I saw the exciting new Andrew Lau directed sequel to the 1972 Bruce Lee film 'Fist of Fury' (my favourite Lee feature) 'Legend of the Fist: the Return of Chen Zhen'. Brilliantly, Brighton's Duke of York's Picturehouse is playing the film as late night feature tomorrow (Friday 7th January) at 23.30.
In September my review said (with an uncharacteristic blood lust): "The first ten minutes equals anything in recent memory in terms of adrenaline pumping action. We begin in France during WW1, where a group of Chinese allied to the French are under fire from a German position. Few films tackle The Great War over it’s deadlier sequel and this is probably the most exciting take I’ve seen, as scores of biplanes bomb our heroes and Yen outruns machine guns and scales buildings, gleefully hacking away German soldiers."
Indeed the first 10-15 minutes are outstanding. I recommend Brighton based fans of Bruce Lee movies or martial arts stuff in general check this out tomorrow.
You can buy tickets for tomorrow's showing at Brighton's Duke of York's Picturehouse here.
Also, I have to mention that one of my most cherished films, 'Jurassic Park', is coming to the Duke's on Saturday 15th at 23.30. You can pre-book tickets for that here.
Mr. Toby King and myself have hassled the manager non-stop for a year to get this on the big screen, so please come and pay your respects to "the greatest film of all time".*
*my opinion aged 8.
In September my review said (with an uncharacteristic blood lust): "The first ten minutes equals anything in recent memory in terms of adrenaline pumping action. We begin in France during WW1, where a group of Chinese allied to the French are under fire from a German position. Few films tackle The Great War over it’s deadlier sequel and this is probably the most exciting take I’ve seen, as scores of biplanes bomb our heroes and Yen outruns machine guns and scales buildings, gleefully hacking away German soldiers."
Indeed the first 10-15 minutes are outstanding. I recommend Brighton based fans of Bruce Lee movies or martial arts stuff in general check this out tomorrow.
You can buy tickets for tomorrow's showing at Brighton's Duke of York's Picturehouse here.
Also, I have to mention that one of my most cherished films, 'Jurassic Park', is coming to the Duke's on Saturday 15th at 23.30. You can pre-book tickets for that here.
Mr. Toby King and myself have hassled the manager non-stop for a year to get this on the big screen, so please come and pay your respects to "the greatest film of all time".*
*my opinion aged 8.
Thursday, 30 December 2010
Felicity is back for January's Flick's Flicks
I had a great time hosting the last six months of Flick's Flicks, the online film preview show for Picturehouse cinemas. However the show's rightful (and superior) host Felicity "Flick" Ventom is back in the hot seat for this first episode of the new year. Here are the films to look out for in January 2011 (well, almost... 'True Grit' has been put back until February).
Welcome back Flick! And kudos to James Marcus Tucker for the show's classy new look.
Welcome back Flick! And kudos to James Marcus Tucker for the show's classy new look.
Labels:
Black Swan,
Flick's Flicks,
Picturehouse,
The King's Speech,
True Grit
Tuesday, 7 December 2010
"Let it snow!": How the Snow Effects UK Cinema Exhibition

Last week much of the UK, including here in Brighton, was covered in snow. Schools were closed, buses were cancelled and middle class suburban homes everywhere were left without their weekly Ocado delivery. But how did it affect the British film exhibition business? I asked a few people in the know at different East Sussex based cinemas to see exactly what they made of the bad weather.
Apparently it isn't always bad news according to occasional Splendor Cinema podcast guest James Tully. James is the marketing manager of Brighton's biggest cinema - an Odeon near the town centre - and he suggested that the snow can in fact have a positive effect on business for the chain depending on the target audience: "If the weather is bad, then the schools are closed so if you are one of the few businesses still open then there is a good opportunity to make money. We see a rise in family business during the day as parents have nothing to do with their kids. But films for a mature audience suffer as older people will not want to risk going out onto snow & ice just to see a film."

Likewise, podcast co-host Jon Barrenechea, manager of Brighton's Duke of York's Picturehouse, says that his cinema can also benefit from the snow. But whereas the multiplex takes advantage of kids off school eager to watch 'Harry Potter and the Deathly Hallows Part One', the Duke's unique atmosphere gives it an advantage in attracting older crowds: "During the Christmas holidays the whole place just feels like a cosy front room in an eccentric’s house. Mulled wine, fairy lights, the Edwardian architecture, it’s the perfect setting for when it snows, so we tend to get busy in times like this, especially recently as people haven’t been able to drive anywhere, they’ve been walking down to the cinema."
The Duke of York's not only has the advantage of a large, loyal and local customer base. It is also based just on the edge of town and sat on two main roads - which are generally usable even in snowy weather, as the fire station next door needs constant access - whilst the Odeon, being in the centre of town, is also accessible to a lot of people. It is a different story for a cinema based in a more remote area, like the Uckfield Picture House. Manager and owner Kevin Markwick told me, "snow has a devastating effect on our business, particularly in a semi rural area like this. People simply can’t get here on country roads. For some reason no one seems to want to walk here either. ['Harry Potter'] business has dropped by 65% since the snow hit on Tuesday [November 30th]." The Odeon's James echos Kevin's concerns saying, "I think it's a tough time for independent cinemas who are programmed weeks in advance, as if their big hit film falls in that week [of bad weather] then their profits fall through the floor."

Time of day is another factor in people's decision to come out to the movies in blizzard conditions too. Whilst day time shows can receive a boost in attendance, James noticed that evening business "declines as guests do not know what to expect by the time their film has finished. If for example you are watching an 8pm 'Harry Potter' that finishes at 11pm, you could emerge to find another foot of snow has fallen, transport cancelled etc." Jon also sees a drop for certain shows. Notably the National Theatre and MET Opera screenings, which are broadcast live via satellite and regularly sell out: "The only times it really affects us is when we have special events like the Operas when people are driving in from out of town."
Another concern is for smaller films with niche appeal. Again James Tully provided his view of what can happen to such films at this time of year: "it's a tough time if you are a distributor of a small film as the film will not get held-over if it doesn't perform well. I hope that 'Monsters' manages to find an audience... It would be a shame after such an excellent marketing campaign to see the film fail at the last hurdle." Customers are unaware of how film distribution works, which creates a problem for the smaller films says James, "People also assume that a film will be playing indefinitely and that if it snows, and they can't go out, then they will see it next week. Unfortunately the reality is that the film probably wont last another week."
All pictures taken by my girlfriend and I whilst snowed-in in Patcham last week.
Labels:
distribution,
Duke of York's,
exhibition,
Odeon,
Picturehouse,
weather
Thursday, 2 December 2010
December's episode of 'Flick's Flicks' and R.I.P Irvin Kershner (1923-2010)
December's episode of 'Flick's Flicks' film preview show has gone up on the Picturehouse website. It's my last show as guest host - though I maybe back at some point in the future for one reason or another. Regular host Felicity (AKA Flick) will be back next month.
This month I suggested my top five films of the year (although these may differ from my final list on this blog in January!) and previewed 'Catfish', 'Somewhere', 'Love and Other Drugs' and 'Rare Exports'.
Thanks to Gabriel Swartland at Picturehouses and James Tucker, the show's director and editor, for their support during the last six months of shows. And a very big thank you to Flick herself for asking me to host the show in her absence.
Finally, on an unrelated note, I was sad to learn that the director of the best 'Star Wars' film passed away last weekend at the age of 87. Irvin Kershner directed the first 'Star Wars' sequel 'The Empire Strikes Back', which was released in 1980 and is widely regarded as superior to the original. I must confess that I don't know much more about Kershner's work, which includes the likes of 'RoboCop 2' and the unofficial Bond film 'Never Say Never Again', so for a proper obituary I recommend this one on the A.V. Club site. As a huge fan of 'Empire' I wanted to pay my respects here with a video of one of the film's finest moments, which I think highlights the human dimension Kershner, along with screenwriter Lawrence Kasdan, brought to George Lucas' space opera.
Thursday, 18 November 2010
Cine-City 2010 Opening Night: 'The King's Speech'

Tonight the Duke of York's Picturehouse plays host to a screening of 'The King's Speech' starring Colin Firth as the 2010 Cine-City Brighton Film Festival gets underway. Having won the top prizes in Toronto earlier this year, 'The King's Speech' is thought to be an Oscar hopeful and is directed by Tom Hooper ('The Damned United') and co-stars Helena Bonham Carter and Geoffrey Rush as it tells the story of King George VI's speech impediment set during his impromptu ascension to the throne during the Second World War. Personally, I am expecting something very safe and establishment that romanticises the monarchy, but I'll give it a chance to impress me during tonight's show. Expect a review later this week.
Cine-City continues until December 5th, where it closes with Richard Ayoade's 'Submarine' (another Toronto hit). Along the way are a host of other big films which include 'The American', 'Never Let Me Go', 'Rare Exports', 'West is West', 'Of Gods and Men', 'Howl', 'Somewhere' and 'Biutiful'. I'll certainly be seeing all of those and reviewing them here over the next two weeks.
If you live in or around Brighton you should come and check out the festival, which also takes place at Brighton's Sallis Benney Theatre and features even more films than I have listed here! Here is the link to the web page again, so you can see for yourself.
Labels:
CineCity,
Duke of York's,
Festivals,
Picturehouse,
Submarine,
The King's Speech,
Trailers
Wednesday, 17 November 2010
'My Afternoons With Margueritte' review:
Watching 'My Afternoons With Margueritte' is comparable to taking a good hour and half long look at the film's warm and sickly sweet poster. On it is a park bench upon which sits an affable and rotund Gérard Depardieu alongside a frail and kindly looking old lady, Margueritte (Gisèle Casadesus). The colours are sunny and vivid and the image is comforting and non-threatening. Nothing that happens in the film does anything deviate from this saccharin poster image. Certainly we are shown Depardieu's Germain having a turbulent relationship with his seemingly indifferent mother. There are backflashes to his torrid time in school, belittled by his teachers for his illiteracy. We also witness how Germain is likewise belittled by his friends at the local bistro. Yet the bulk of this film is self-consciously heartwarming, relaxed and "feel good". Really Germain's troubles only exist to give the character a starting point from which to launch into a palatable journey of friendship and self-discovery.
The plot concerns a chance meeting, as one afternoon the fifty-something Germain happens upon the ninety-five year-old Margueritte in the local park whilst going to count the pigeons, whom he has named - so familiar is he with their various quirks and personalities. At this point we have already seen that he is slightly tactless and dim-witted, but the scene with the pigeons tells us that whilst Germain is an oaf, he is at least a well-meaning and good-natured one. Margueritte, it happens, also enjoys the company of this particular bunch of pigeons and a friendship is born. Soon Margueritte is reading French literary classics to Germain and an interest in literacy is ignited by the benevolent old dear. The film is directed by the veteran French director Jean Becker (and is rumoured to be his last) and is adapted from a beloved French novel by Marie-Sabine Roger (Tete en Friche).

Strangely, due to some sexual references and Germain's crudity, this gentle film about a quest for literacy has received a '15' rating from the BBFC. To put that in perspective, that's the same rating as was awarded to 'Kick-Ass' (where a 12 year-old girl says "cunt" before dismembering a roomful of ethnic and gender stereotypes) and 'The Expendables' (a bloody film with a higher body count than many small wars). By contrast 'My Afternoons With Margueritte' is a film where hopping from word to word in a French dictionary is described as "an adventure" (I'm not making this up) as the characters share the occasional baguette during reliably good weather.
The film takes place in a broad (and very French) fantasy world, where the supporting characters are colourful eccentrics and where Germain can repeatedly deface a war memorial (by adding his own name in pen) without receiving anything more than a half-hearted rebuke. It is also a reality where Depardieu's obese, illiterate character (who lives in his mother's front garden in a trailer) has somehow attracted the love of a beautiful young women who wants to bear his children. The characters are functionary and cartoon-like, with Margueritte an idealised figure about whom we learn almost nothing. Ever smiling, Margueritte speaks in banal pleasantries and seemingly exists only as an advocate for the pleasures of reading. She is "nice" - with all the boringness that that word conveys.

Perhaps you could find something in her dependence on imagined literary worlds that suggests a silent sadness at her own lonely (and childless) existence - especially as her surviving relatives are depicted as basically uncaring. But Casadesus' smile never lets up as Margueritte is portrayed as unfailingly upbeat. Depardieu is a charismatic presence who does well to elevate his character to the point where he is almost interesting, but the film conspires against him to nullify this budding spark of genuine feeling. Despite all this, I found it impossible to dislike 'My Afternoons With Margueritte', just like it's impossible to take an active dislike towards those tartan coloured biscuit tins that you find in the stale and faintly depressing house of an elderly relative - except without the same sense of obligation. I needn't have visited Germain and Margueritte and next time I'll make my excuses.
'My Afternoons With Margueritte' is rated '15' by the BBFC and is out now at all Picturehouse cinemas and many others nationwide.
Monday, 1 November 2010
November's Flick's Flicks, plus Halloween Splendor Podcast
November's episode of Flick's Flicks is now online. In it I preview the upcoming films and events for Picturehouse cinemas, which for the next month includes 'Chico & Rita', 'Let Me In', 'Another Year' and 'My Afternoons With Marguerite'. This is my penultimate episode as guest host standing in for Felicity, who returns for January's show (which I'm told will have a brand new look for the new year).
Also, Jon and I recorded our 38th Splendor Cinema podcast the other night, whilst working through a Zombie All-nighter at the Duke of York's cinema. We were joined by special guests (and Duke's co-workers) Adam Whitehall, Toby King and Craig Lakin Ennis as we chatted about favourite horror movies. The podcast should be at it's usual homes on the Picturehouse website and on iTunes within the next couple of days.
Check back later this week for my belated review of indie comedy 'Cyrus' and of current release 'The Kids Are All Right'. You can also read my review of today's 'Predators' Blu-ray release over at Obsessed With Film.
Also, Jon and I recorded our 38th Splendor Cinema podcast the other night, whilst working through a Zombie All-nighter at the Duke of York's cinema. We were joined by special guests (and Duke's co-workers) Adam Whitehall, Toby King and Craig Lakin Ennis as we chatted about favourite horror movies. The podcast should be at it's usual homes on the Picturehouse website and on iTunes within the next couple of days.
Check back later this week for my belated review of indie comedy 'Cyrus' and of current release 'The Kids Are All Right'. You can also read my review of today's 'Predators' Blu-ray release over at Obsessed With Film.
Thursday, 16 September 2010
'The Dispensables' review/The start of the Cambridge Film Festival...
Venice is now a thing of the past and I have just landed at another film festival: Cambridge Film Festival. It starts today at the Arts Picturehouse and I will be working as one of two sub-editors on the daily paper here. I had hoped to watch the opening night movie, the next Luc Besson film 'The Extraordinary Adventures of Adèle Blanc-Sec'. But instead I have been roped into presenting the on-stage Q+A tonight for the first film in the festival German Cinema Season: 'The Dispensables'. I'll be talking to director and writer Andreas Arnstedt about the movie... and so I better end this now and write down some questions... 
I'll fill this entry out by putting my review of the film here, an expanded version of one published in today's daily:
The Dispensables, which played as the opening of the German Film Season here at the 30th Cambridge Film Festival, is the debut feature written and directed by Andreas Arnstedt – a well-known TV actor in his native country. Set in contemporary Berlin, it is the story of those who fall through the cracks of society – focussing primarily on one working class family. It is a universal story of poverty, that its director told me has been best received in festivals in some of the world's poorest countries (notably winning top prizes in Sao Paulo,Brazil).
It is the complex and uncomfortable, true-life tale of a boy who,fearing life in an orphanage, continues living with his father's corpse in their squalid flat. It shines a light on problems not
normally associated with the cities of Europe's most affluent nations – but which is actually always right under our nose, unreported. As a result, the film has been a tough sell in Germany (and currently has no distribution deal outside that country). Arnstedt was in fact forced to fund the film entirely out of his own pocket, and the great personal attachment he has to this story is evident and sincere.
Traumatic events in recent German history are in the background here, but often go unaddressed, from the neo-Nazis in the street, to the old man still fighting the Second World War with an army of garden gnomes. There is a socially satirical streak here and some black comedy, in this gritty social drama that feels more similar to something offered by Ken Loach or even the late great Rainer Werner Fassbinder (Arnstedt's idol), as opposed to anything else in recent German cinema.
Told from the perspective of the young boy, Jacob (Oskar Bökelmann), the film goes backwards and forwards in time with some considerable skill. The transitions are seamless and flow naturally, whilst the narrative line is always coherent. The film is a real triumph of editing, and perhaps a genuine fascination with film editing is the reason for the film’s running joke about the superior editorial skills of Steven Spielberg.
There are some really good performances here too, especially from the actors playing Jacob’s parents, André Hennicke and Steffi Kühnert. Hannicke manages to portray the temperamental “master painter”, Jürgen in a way which is sympathetic, despite the jarring physical abuse he inflicts upon his family. There is always a pitiful sadness behind his eyes. Kühnert is better still as Jacob’s alcoholic mother, Silke, never straying into cliché or playing the victim.
The Dispensables is tragic, gritty and unflinching, yet also moving without ever verging on sentimentality. It is also made with style and confidence uncommon in a debut feature.
Friday, 10 September 2010
More from Venice...
This will be my last update from Italy. I should be back in the UK by now (originally I was due back on Thursday), but I have stayed after a UK national newspaper asked me to review a film playing Saturday morning. I feel nervous and excited about the whole thing, and will be writing it whilst dashing from the screening to the plane home, but it is a great opportunity and well worth delaying my return home for.
Since I last posted here, I wrote another Picturehouse blog entry and the following reviews have been submitted to Obsessed with Film:
I’m Still Here
Noi credevamo
Surviving Life
Balada triste de trompeta
Attenberg
Venus Noire
Promises Written in Water
The Town
La solitudine dei numeri primi
The Road Nowhere
13 Assassins
Since I last posted here, I wrote another Picturehouse blog entry and the following reviews have been submitted to Obsessed with Film:
I’m Still Here
Noi credevamo
Surviving Life
Balada triste de trompeta
Attenberg
Venus Noire
Promises Written in Water
The Town
La solitudine dei numeri primi
The Road Nowhere
13 Assassins
Labels:
Obsessed With Film,
Picturehouse,
Review,
Venice Film Festival
Monday, 6 September 2010
Just a quick Venice update...
Writing from the Venice press room in the Lidocasino, just to say that I haven't had very much time (at least not with an internet connection) in order to update the blog along with my other (paying) commitments. I'm planning on writing some more in-depth stuff on my Venetian adventure when I touch down back in Blighty. Probably more about my travels, as well as about the films. I'm also going to do my own awards for the festival. Which should be fun.
Whilst I've been away Jon and I have recorded two Splendor Podcasts (one of which is online now) and the latest Flick's Flicks has also been put online:
Anyhow, here is an easy summary of everything I've written elsewhere (so far):
Black Swan
Showtime
Legend of the Fist: the Return of Chen Zhen
Norwegian Wood
Happy Few
Miral
La pecora nera
Somewhere
Ovsyanki (Silent Souls)
Reign of Assassins
La passione
Potiche
Meek's Cutoff
Post Mortem
Essential Killing
Di Renjie zhi Tongtian diguo (Detective Dee and the Mystery of Phantom Flame)
I'm Still Here - Press conference
The Ditch
I have also contributed three fairly long-winded run-downs to the Picturehouse Blog:
First post
Second post
Third post
Whilst I've been away Jon and I have recorded two Splendor Podcasts (one of which is online now) and the latest Flick's Flicks has also been put online:
Anyhow, here is an easy summary of everything I've written elsewhere (so far):
Black Swan
Showtime
Legend of the Fist: the Return of Chen Zhen
Norwegian Wood
Happy Few
Miral
La pecora nera
Somewhere
Ovsyanki (Silent Souls)
Reign of Assassins
La passione
Potiche
Meek's Cutoff
Post Mortem
Essential Killing
Di Renjie zhi Tongtian diguo (Detective Dee and the Mystery of Phantom Flame)
I'm Still Here - Press conference
The Ditch
I have also contributed three fairly long-winded run-downs to the Picturehouse Blog:
First post
Second post
Third post
Thursday, 2 September 2010
More Venice Adventures!
Ok! Little pushed for time, so here is a little update.
I posted a summary of the films so far on the Picturehouse Blog, as well as impressions of 'Showtime', 'Legend of the Fist: the Return of Chen Zhen' and my short, instant reaction to 'Black Swan', at Obsessed with Film. Jon and I also recorded a new podcast, which will be up soon (I hope).
Full reviews of 'Black Swan' and 'Miral' will be up later, along with summaries of 'Norwegian Wood' and 'Happy Few'. So check back later!
I posted a summary of the films so far on the Picturehouse Blog, as well as impressions of 'Showtime', 'Legend of the Fist: the Return of Chen Zhen' and my short, instant reaction to 'Black Swan', at Obsessed with Film. Jon and I also recorded a new podcast, which will be up soon (I hope).
Full reviews of 'Black Swan' and 'Miral' will be up later, along with summaries of 'Norwegian Wood' and 'Happy Few'. So check back later!
Thursday, 12 August 2010
'Skeletons' Screening + Q&A with Director Nick Whitfield
Update: The Q+A went really well and Jon actually recorded the audio for a potential future podcast. I will write something up about the film and the event sometime in the week. My original "that night" time frame was optimistic! Come back later for the full lowdown.
Original post: I am delighted (and a little nervous) to be hosting an on-stage Q&A with writer/director Nick Whitfield after a screening of his film 'Skeletons' at Brighton's Duke of York's Picturehouse this Friday (tomorrow) at 6.30pm. This means I need to spend the rest of today watching the screener DVD very kindly sent to me by Soda Pictures, making notes and forming interesting questions. Please come along and check out the film. You will also have a chance to ask Nick your own questions after the show.
'Skeletons' won the Michael Powell Award for Best New British Feature Film at this year's Edinburgh International Film Festival. Expect a review of the film and a write-up on the whole affair tomorrow night.
'Skeletons' is rated '15' by the BBFC. Tickets can be purchased online via the Picturehouse website.
Labels:
Duke of York's,
Interview,
Nick Whitfield,
Picturehouse,
Skeletons
Wednesday, 21 July 2010
August's edition of 'Flick's Flicks' is here!
I mentioned yesterday that Monday morning saw me recording next month's edition of the Picturehouse preview show 'Flick's Flicks'. Well its director and editor, James Tucker, has been super quick off the mark this month and has already put the finished show up online. I feel like it is an improvement on my first (the July episode).
I now only have one more episode to present before the rather more photogenic Felicity Beckett gets back from maternity leave. So watch this space for the September edition of the show.
Also, 'Giant Sand' were pretty awesome last night. They sound a bit like every Dylan record since Time Out of Mind, but much better (and a damn site better than Dylan was in Cardiff a few years ago - I want my money back Bob!). To make things even better, the singer-songwriter, Howe Gelb, bought me a pint after the gig. Which was nice.
Tuesday, 20 July 2010
'Giant Sand' tonight at the Duke's, plus moving house delays me seeing 'Toy Story 3'...
Aside from the being the oldest functioning cinema in the land, Brighton's Duke of York's Picturehouse also occasionally serves as a music venue. In the past year artists such as Duck Baker and 'Angus and Julia Stone' have taken the stage and tonight it is the turn of Arizona rock band 'Giant Sand'.
I have never seen them (or heard of them), but I am planning to go along tonight and check them out all the same... and you should too!
Anyway, not strictly film related, but I am moving house this week and so probably won't be updating very much at all. This is a shame as there are few films I look forward to more than those by Pixar and I would very much like to see and review 'Toy Story 3' this week. I'll see what happens. Failing that it will be reviewed next week at the latest! I can't wait. I have been a little sceptical since seeing an underwhelming clip at a Disney conference back in April. But almost everyone who has seen it seems to have loved it, so far, so I'm sure it will be good even if it isn't as great as 'Up' and 'Wall-E'.
Finally, I recorded the August edition of 'Flick's Flicks' yesterday with the smashing James Tucker. In it I previewed the August line-up coming to Picturehouse cinemas, including 'The Illusionist' (below), South Korean drama: 'Mother', 'The Girl Who Played With Fire' and 'Scott Pilgrim vs. the World'. Check it out when it is online at the start of next month.
Labels:
Disney,
exhibition,
Flick's Flicks,
Music,
Picturehouse,
Pixar,
Toy Story
Friday, 25 June 2010
Going to sunny Devon for the weekend...
Just writing to say I'm on a bit of a last minute trip to Devon this weekend and have just noticed that Picturehouse have a cinema down there in Exeter. I am thinking I may pay them a visit on Saturday but if I do, what should I see? I can choose from the following options:
'Please Give', (which I have already seen and revieved here). Woody Allen's Larry David comedy 'Whatever Works' (which also starts its run in Brighton tomorrow and which I promised I'd see with my girlfriend). Or 'Shrek Forever After 3D' (which I never planned on seeing ever in my life). What will it be? Alternatively, I may see Martin Freeman in 'Wild Target', a remake of a French film from 1993. But that is playing in Barnstaple at the Central Cinema (at some sort of local upstart chain).
What on earth should I do?! Cast your vote. You may just sway me.
'Please Give', (which I have already seen and revieved here). Woody Allen's Larry David comedy 'Whatever Works' (which also starts its run in Brighton tomorrow and which I promised I'd see with my girlfriend). Or 'Shrek Forever After 3D' (which I never planned on seeing ever in my life). What will it be? Alternatively, I may see Martin Freeman in 'Wild Target', a remake of a French film from 1993. But that is playing in Barnstaple at the Central Cinema (at some sort of local upstart chain).
What on earth should I do?! Cast your vote. You may just sway me.
Labels:
3D,
exhibition,
Picturehouse,
Please Give,
Shrek 4,
Trailers,
Whatever Works
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