Anderson fans will immediately notice that the titles are written in a different font from that used extensively in his first six features. It's also interesting that the film looks so different visually, with washed out colours giving it an almost instagram look, as regular cinematographer Robert Yeoman is still behind the camera. Otherwise it looks and feels like a Wes Anderson film to the smallest detail.
I love that the scouts in the film seem to continue Anderson's childish love of clubs and gangs, notably explored in 'Bottle Rocket', 'Rushmore' and 'The Life Aquatic with Steve Zissou'. I can't wait for this.